The anatomy of fashion
The anatomy of fashion : dressing the body from the renaissance to today
Oxford : Berg, 2009, XVI-234 p.
ISBN 978-1-8452-0764-9
MOND 695
Taking different body parts in turn, The Anatomy of Fashion invites us to view ourselves as we have been in the past. Arguing that analysis needs to aspire to the proliferation and playfulness of fashion itself, the chapters both explore a different aesthetic and examine its wider, and often surprising, implications. In countless different ways, fashion is caught up in the larger picture of its chronological moment. Whether in the mechanisms of production, the politics of consumption, the construction of sexuality or gender, or the formation and reformation of manners and morals, fashion is there.
In its provocative conclusion The Anatomy of Fashion turns its attention to dress practices today. Reassembling the anatomical parts, the text places the contemporary body in the historical view and reveals the strangeness that lies at the heart of our own normality. (4e de couv.)
Axe de recherches :
- Axe 1 : Cultures visuelles et matérielles
OpenEdition vous propose de citer ce billet de la manière suivante :
Corinne HÉLIN (13 janvier 2016). The anatomy of fashion. IRHiS-Bibliothèque. Consulté le 16 septembre 2024 à l’adresse https://doi.org/10.58079/lxlk